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・ Adoration of the Magi (Bosch, New York)
・ Adoration of the Magi (Bosch, Philadelphia)
・ Adoration of the Magi (Correggio)
・ Adoration of the Magi (Dürer)
・ Adoration of the Magi (Filippino Lippi)
・ Adoration of the Magi (Fra Angelico and Filippo Lippi)
・ Adoration of the Magi (Gentile da Fabriano)
・ Adoration of the Magi (Leonardo)
・ Adoration of the Magi (Lorenzo Monaco)
・ Adoration of the Magi (Mantegna)
・ Adoration of the Magi (Ospedale degli Innocenti)
・ Adoration of the Magi (Perugino)
・ Adoration of the Magi (Rubens)
・ Adoration of the Magi (Rubens, Antwerp)
・ Adoration of the Magi (Rubens, Cambridge)
Adoration of the Magi (Rubens, Lyon)
・ Adoration of the Magi (Rubens, Madrid)
・ Adoration of the Magi (Stefano da Verona)
・ Adoration of the Magi (tapestry)
・ Adoration of the Magi (Velázquez)
・ Adoration of the Magi (Veronese)
・ Adoration of the Magi of 1475 (Botticelli)
・ Adoration of the Name of God
・ Adoration of the Shepherds
・ Adoration of the Shepherds (Caravaggio)
・ Adoration of the Shepherds (disambiguation)
・ Adoration of the Shepherds (Domenichino)
・ Adoration of the Shepherds (Giorgione)
・ Adoration of the Shepherds (Le Nain)
・ Adoration of the Shepherds (Lorenzo di Credi)


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Adoration of the Magi (Rubens, Lyon) : ウィキペディア英語版
Adoration of the Magi (Rubens, Lyon)

:''For other treatments of this subject by the same artist, see Adoration of the Magi (Rubens).''
The ''Adoration of the Magi'' is a c.1617-18 painting by Peter Paul Rubens. It is now in the Musée des Beaux-Arts de Lyon〔Inv. A.118.〕
Since it is horizontal rather than vertical it was probably commissioned for a private collection rather than as an altarpiece. Peter C. Sutton suggested that, as Rubens' treatments of this subject in vertical formats were for known ecclesiastical commissions as altarpieces, the horizontal format, which is shared with Rubens' ''Adoration'' painted for the ''Statenkamer'' of Antwerp's town hall, c. 1608-09, might suggest that the Lyon painting was also a secular commission.〔Peter C. Sutton, in Peter C. Sutton, Marjorie E. Wieseman, Nico van Hout ''Drawn by the brush: oil sketches by Peter Paul Rubens'' (exhibition catalogue) 2004: 109.〕 Rubens made a considerable fortune via the painting's reproduction in engravings and tapestries.
The painting arranges full-length figures across the canvas, backed by a frieze-like crowd showing a variety of mature male types, twelve in all. The oldest magus kneels and kisses the foot of the Christ Child with a tender gesture, as the Child, standing on a straw-strewn table, where he is presented by the Virgin Mary,〔Julius S. Held observed that Rubens in his innovative treatments of the ''Adoration'' invariably represented Mary as a symbol of Ecclesia, actively presenting the Child. (Julius Held, '' The Oil Sketches of Peter Paul Rubens. A Critical Catalogue'' (Princeton, 1980), vol. I, pp 451, 456, noted by Sutton 2004:109).〕 touches the magus' bald head in a gesture of benediction. The dim stable is lit by shafts of light.
==References==

* (Catalogue entry )
category:Paintings by Peter Paul Rubens
category:1618 paintings

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